Passive Aggressive Notes

passiveaggressivenotes.com

bd's Roll on Friday: Alan Camp Architects

‘The office fills with wonderful smells that happily distract us’

"Each Wednesday, one person in the practice volunteers to cook, normally for about 20 or 30 people. It started about 18 months ago with just baked potatoes. Our studio is close to Borough food market and we have a fantastic kitchen with a huge oven, so people decided that it would be a great idea to cook for ourselves."

The Village Petstore and Charcoal Grill

thevillagepetstoreandcharcoalgrill.com

Eternity Modern

Picture this: an Arco Floor Lamp lighting the pages of The Stranger as you recline in your Eames Lounge Chair (With matching Ottoman) as a glass of Chateauneuf-de-Pape tempts you from the Noguchi Coffee Table … You may not be able to afford the originals but Eternity Modern specialise in quality reproductions of modern classics, including pieces by Corbusier, Eames, Mies van der Rohe and Starck. So if you want to set yourself down in design pieces you've only ever ogled online visit their new site: eternitymodern.com Don't forget to tell them Carpal Fonil sent you!

Frieze Art Fair: artistic or autistic?

"While these installations have a humorous side, they came across like a pack of tourist postcards, simply replicating different environments and experiences. Rather than invite you into a world of fantasy and feeling, they distance the viewer from experiencing the actual threat our environment is under. So much so, that after several turns around Frieze I began to feel I was surrounded by autistic objects in an autistic world."
The First Post

Tracey Emin fights to save Brick Lane from developers

"Emin says that her problem with the developers is not about regeneration, but about the local residents’ right to daylight. “I am pro-commerce, I welcome regeneration of all areas and I really like new architecture. What I’m against is blocking people’s light in residential areas.”"
TimesOnline

Bill Hicks on Marketing

One Mile Scroll

"The One Mile Scroll transforms virtual space into an actual, physical distance. Take your computer for a scroll. Participate and add heights of things using the data entry area to the right. Please only add the vertical heights of things as opposed their lengths. Be sure to check your measurements (with Google or similar site). Once submitted entries can only be modified or deleted by the site administrator.

Which is highest when stacked, a million dollar bills or a thousand Robin Day Polypropylene Chairs?

The site was published to coincide with "Extra Medium" at Arcadia University Art Gallery Philadelphia September 2008. It was assembled by Jeffery Vaska who transformed an unrealized project into an ongoing project - thank you for confirming that the Eiffel Tower is exactly 1224576 pixels high."

onemilescroll.com

Does Damien Hirst's auction at Sotheby's mean the end of the gallery?

There's a hell of a lot of money in art - but the artists don't get it," grumbles Damien Hirst, giving himself a thoroughly good scratch through the faded brown T-shirt he has decided to wear to Sotheby's today. "What I find is unfair is the Van Gogh thing. The artist doesn't make any money, but everyone else does." That, at least, was how it used to be before Hirst himself entered the lists. Now the ratios appear to be changing. If things go according to plan - and most of the ridiculous stunts Hirst comes up with work out surprisingly well - then, a fortnight from now, the old way of making pots of money from art will look as out of date as last year's winner of the Turner Prize. entertainment.timesonline.co.uk

Francis Bacon | Tate Britain

The Fall

thefallthemovie.com

Louboutin 1

Who else but Christian Louboutin would call a shoe design "Ambrosina?" Well, here it is and this is how delectable it looks. The fine details are: black satin and demi-sheer chiffon platform peep toe pumps with a 125mm / 5 inch stiletto heel, a 20mm / 1 inch platform and his signature lacquered scarlet sole. Image: courtesy Net-a-Porter

100 Artists

100 artists, including the inimitable Michael Markowsky, will share their creativity and talent by drawing live and in person; audiences have the rare opportunity to watch art come to life and purchase completed drawings for $75 each. Outpost's annual live drawing and fundraising event is on 12 October from 3-7pm at the William D. Davis Memorial Building in Altadena CA 91001. For a complete list of artists and schedule > Outpost for Contemporary Art.

Happy Birthday Diesel

Diesel celebrate their birthday by transforming old school pornography into family friendly viewing ! I doubt this advert 'went down' too well with the censors, but that doesn't stop it from being absolutely hilarious viewing - AWESOME ! diesel.com/xxx *Warning: Although no longer explicit this is modified pornography.

Tabletop Experiments

Surface tension, pattern formation, chemical oscillators, electrochemical reactions & general blobbyness. This is an image from artist Antony Hall and chemist Rosie Coates first experiment recreating the Belousov-Zhabotinskii reaction, which oscillates in both time and space, a so-called spatio-temporal oscillator. It is a complex system involving bromate, bromide, malonic acid, sulfuric acid, ferroin indicator, and oxygen. The oscillations in this reaction start with the formation in a red solution of small blue dots that expand in ever-widening concentric rings. Hall and Coates also set up a series of live pattern-inducing experiments involving mercury, electricity and sound, including the extraordinary ‘mercury beating heart’ experiment, at a drop-in event last weekend at UCL, London, The Big Draw. For more images of this and other tabletop experiments > Antony Hall.

"Bukowski's L.A." Exhibit

Christine Curry will be showing two paintings in Bukowski's L.A., an exhibit celebrating the new book written about writer Charles Bukowski by a former teacher of mine, Matt Dukes Jordan. The opening reception for the show is this Saturday, September 27, 8pm to midnight. The artwork will be on display at Hyaena Gallery only through September 30. After that it will be available for purchase on Hyaena's website. Hyaena Gallery, 1928 W. Olive Avenue, Burbank, CA 91506 http://hyaenagallery.com/ http://christinecurry.com/

Male

“Male,” an exhibition of works drawn from the personal collection of curator, writer and photography critic Vince Aletti, premiered earlier this year at White Columns, New York, and was recently featured at Presentation House Gallery, Vancouver. An interview with Aletti by Amarie Bergman is currently on the front cover of Whitehot Magazine and in its section devoted to Vancouver art exhibitions. Image credits: Bruce Bellas [Bruce of LA] Untitled c. 1960 (courtesy Presentation House, Vancouver & Whitehot Magazine)

The Man Game

Lee Henderson’s first novel, The Man Game, is a mix of hardcore wrestling, dance, and gravity-defying special moves drawn from button-mashing video games like Mortal Kombat. To help readers understand the intricacies of this imaginary sport, Henderson teamed up with animator Isaac “The King” King to create short clips which illustrate five of the moves described in the novel. The Bookend by Isaac “The King” King via "Henderson: How to Play The Man Game"
The Man Game was favourably reviewed in the National Post by Mark Medley, "Rolling With Punches." Henderson will be heading out on a book tour this fall. He'll appear as part of Word on the Street in Vancouver on September 28; Wordfest in Calgary on October 14 to 19; and Vancouver International Writers Festival on October 24 and 25.
For updates and other involvements, including his role as Director of Attaché Gallery > Lee Henderson.

The Art That Lies Beneath

Images, courtesy of Steven Holl Architects
THE ART THAT LIES BENEATH
Time, Richard Lacayo, 19 March 2007
'Now that architecture is practically as glamorously daredevil as bullfighting, every year has its Most Anticipated Building. (...) This year there's just one: the Bloch Building, Steven Holl's addition to the Nelson-Atkins Museum of Art in Kansas City, Mo., which opens in June. It's going to be the year's most visible building on the strength of being the building that's not there. Holl gave the Nelson-Atkins 165,000 sq. ft. of new space by burying the space underground. (...) What appears above ground are five irregular glass pavilions, transparent in some parts and translucent in others, which serve as vaulted glass ceilings for the galleries below while carrying out a kind of photon hydraulics. During the day they'll pour (diffused) light into the galleries. After dark, lit from within, they'll pump it back against the night sky. Call them lenses - Holl's term - or lanterns. They're illuminating.' Steven Holl Architects The Bloch Building has been shortlisted for an award in the Museum Category at the upcoming World Architecture Festival in Barcelona, 22-24 October 2008.

I Have A Dream

Delivered on the steps at the Lincoln Memorial in Washington D.C. on August 28, 1963, today marks the 45th anniversary of Dr. Martin Luther King Jr.’s speech, I Have A Dream: a visionary design for civil rights and a continuing inspiration for the creation of freedom and justice. text transcription + 200,000 March for Civil Rights in Orderly Washington Rally; President Sees Gain for Negro E. W. Kensworthy, The New York Times: 29 August 1963

Johnson’s Dream, Obama’s Speech Robert A. Caro, The New York Times: 28 August 2008

Brit Rocker's timely video goes viral over weekend

While videos may be a cousin to independent film and documentaries, they have become steadily more popular in social policy because of their immediacy. This weekend, for example, British rocker Dave Stewart released "American Prayer", a rock video on August 22-23, leading up to the Democratic National Convention in Denver, Colorado. On Thursday night, August 28th, it will be the 45th anniversary of Rev. Martin Luther King's "I have a dream" speech. Stewart pays homage to King's speech and its significance with Obama's acceptance of the nomination that evening. The video has gone wildly viral across America over the weekend.

Laces – Up close and personal

We’ve seen them in our sock drawers in the kitchen and among items in the everything closet. We've noticed them in the basement collecting dust. We know them as “laces”, and we usually take them for granted. Did we ever think that they, too, would be an endangered species that needs our care and attention. Watch this moving documentary on the life of a lace by Sibylle Meder, a German filmmaker. - M.S.

Jeff Otto O'Brien update

It has been a while since I posted here– have been busy the past couple weeks getting ready for two exhibitions. Cluster F+ck opened for one night on Friday August 15th at Plank Gallery, Vancouver. The show was extremely well-attended– we reckon that around 300 came throughout the night to see the first all-studio show at the gallery. There are 12 or so artists that occupy space in the studios behind and above Plank Gallery. I sold one piece, albeit a smaller print of what I displayed.

Miscellaneous IX, (2007), C-Print
From August 18–October 10, I am in a group show at the University of St. Francis, Illinois.
"INDEX: Directions in Contemporary Photography" Jeff Otto O'Brien Johanna Reed Esteban Schimpf Amy Wainwright Exhibition Dates: Monday, August 18th through Friday, October 10th. "INDEX" presents the work of four artists for whom a unique engagement with the documentary potential of the photographic medium is a central focus. According to their own curiosities, habits, and surroundings, the artists of "INDEX" collectively affirm that the testimonial promise of photography is not unconditionally guaranteed. Rather, each artist approaches the nature of photographic proof as a malleable condition -a variable constantly affected by the ambivalence, mysticism, and trickery of human curiosity.
North Surrey II, (2008), C-Print, 20 x 30 inches
I am currently looking for other artists to collaborate with. You don't need to be a photographer. If interested email me– otto.obrien [at] gmail.com. New site up– www.otto-obrien.com

bookmarking pictures

vi.sualize.us is sort of like--are you ready?--de.licio.us. Bookmark images you find you want to keep track of, or browse what other people find interesting or worth bookmarking.

http://vi.sualize.us/popular/

If you're into the web 2.0 thing, or whatever you may call it you'll be into this too.

Christine Curry art exhibit

My recent oil paintings will be on display at Farm Artisan Foods 22 E. State Street Downtown Redlands, CA

http://christinecurry.com/ http://farmartisanfoods.com/

A reception with gourmet hors d'oeuvres and wine will take place Sunday August 10, 3-5pm.

New Fonil [collective] member:

Making Waves

KASTRUP SEA BATH - DENMARK Architect: Fredrik Pettersson White arkitekter AB Image credits: Ole Haupt A sculpture to walk on. And dive from. The architect responsible, Fredrik Pettersson, created the platform which stands on discreet legs one metre above the surface of the sea, a hundred metres out from the shore. The visitor crosses a long bridge to reach a circular installation that gradually rises up out of the sea. It is topped off with a trampoline at a height of five metres – which the inventor has yet to try… “My idea was to achieve a sculptural, dynamic form that can be seen from the land, from the sea and from the air,” says Pettersson. “The silhouette changes as the spectator moves around it.” The aim was to use the shape to build in functions such as changing, sunbathing and bathing areas in a simple design that compares favourably with the wide expanse of the sea. The circular construction offers shelter whatever the wind direction, and all the platform’s 870 square metres of wooden deck are at the disposal of the visitors. Azobe timber was chosen due to the material’s durability and strength in salt water. It is not attacked by shipworms and has the same lifetime as steel. The lighting has been added to emphasize the sculptural design. There are both LED spotlights along the bridge out to the ‘shell’, as well as upward-facing floodlights that illuminate the inside of the structure, producing a spectacular and beautiful effect at dusk and in the dark. Even at times when only winter bathers dare to enter the water.

There is nothing private or exclusive, rather it is a facility open to everyone, regardless of age, physical mobility or needs. After 50 years of discussions on what to do with the area, the White project quickly converted a mistreated and shabby industrial beach environment into a living and integral part of the community.

THE END to war

Gretchen Elsner is an innovative entrepreneur in more ways than art and design. She initiates performance art for 2 people (or more) to resolve petty / pernicious disputes and general bull-headedness. “$60 bucks buys you three delicious home made tofu cream pies - two for fighting, one for eating, or three for fighting - towels, water, first aid if necessary, a professional fine arts free-lance photographer to document the fight, and a dog to clean up the mess.

http://www.egretion.com/creampiesrus.php?p=regaliaperformanceexh

Egression

Drummers at the Vancouver Folk Festival faded from hearing as I strolled near the strand into the scent / sight rich bazaar atmosphere: Katmandu-ish dust, incense and coconut lotion mixed with the inimitable ocean air, where mostly ethnic clothes were strewn under tents in dizzily paisley, floral and geometric arrays. Apart, under a tree, one rack of clothing caught my eye. Clothing not merely clothes. Unique revelations that were pleated, draped, wrapped, circuit wired, recycled, hole-y / holy.

Gretchen Elsner is an American conceptual / performance artist and designer. She specializes in the engineering of electronically active components made from conductive textiles to create soft hard ware, or soft-ware. Her work also incorporates illustrations, embroidery, secret pockets, multi-directional reversible clothing, innovative closures and unconventional materials, combined with whimsy and superb craftsmanship. About EGRET DESIGNS Elsner says, “Our clothing is an intimate language, and the clothing work is meant to engender enjoyment of the perfection of the nakedness of the body inside. We need one another, our bodies and our minds do, but there is also a part of ourselves that needs solitude, and our arts in many cases allow us to interact with our sensual, ephemeral selves so personally as to show us the way into such alone-ness as we cannot find when we are isolated. Through nakedness the perfect human body is visible evidence of the being's potential grandeur, of the Ideal Self, pure spirit clothed like shadows in this realm of the seen and seemingly imperfect.”

http://www.egretion.com

Images of Gretchen Elsner's Experimental Prototypes 8 & 9 by ELISA GONZALEZ

The Girl Effect

The Girl Effect is a campaign designed to create awareness and act on social change in developing countries. Best described on their website, the campaign is about girls. And boys. And moms. And dads. And villages. And towns. And countries. It's a concept about building a better future for humanity. To best explain it, just imagine this scenario. Here's the thing: Girls living in poverty are uniquely capable of creating a better future. But when a girl reaches adolescence, she comes to a crossroads. Things can go one of two ways for her and for everyone around her. One: She gets a chance, gets educated, stays healthy and HIV-negative, marries when she chooses, raises a healthy family, and has the opportunity to raise the standard of living for herself, her brothers, her family, her community, and her country. One: None of these things happen. She is illiterate, married off, isolated, pregnant, and vulnerable for HIV. She and her family are stuck in a cycle of poverty. The Girl Effect is not just an idea. It's the most important thing you can do. Do something. Say something. Watch the video...

62-year-old bikini design ages beautifully

Ursula Andress in Dr. No

Sixty-two years ago, on July 5, 1946, French designer Louis Reard unveiled a daring two-piece swimsuit at the Piscine Molitor, a popular swimming pool in Paris. However, Parisian women were too embarrassed to model it, so Reard hired showgirl Micheline Bernardini to wear the inaugural "bikini."

Reard named his design after a U.S. atomic bomb exploded off the Bikini Atoll in the Pacific Ocean earlier that week. Ever since, you might say, “bombshells” have been particularly attracted to bikinis.

By 1962 the US quit blowing up the atoll after 23 tests, and the bikini – slow to be adopted by women in America – exploded on the scene with Ursula Andress playing Honey Ryder in the James Bond film Dr. No.

Throughout the 1960s millions of adolescent males would be exposed to Ursula Andress in the pages of Playboy, thereby imprinting her as a bikini original.

The Bikini Atoll will be radioactive another few hundred years, about as long as Hugh Hefner and the bikini will be around.

Where are you dancing today?

Matt Harding had a nervous tic that worked its way into an infectious jig, causing him to travel around the world putting smiles on the faces of people who joined him in his dance. He has literally danced his way into the hearts of four million YouTube watchers around the globe. Now he has another four billion people to go.

Starting with the universe

4D Logo Designs by Buckminster Fuller
BUCKMINISTER FULLER:
STARTING WITH THE UNIVERSE
26 June - 21 September 2008 Whitney Museum of Modern Art
One of the great American visionaries of the twentieth century, R. Buckminster Fuller (1895-1983) endeavored to see what he, a single individual, might do to benefit the largest segment of humanity while consuming the minimum of the earth's resources. Doing "more with less" was Fuller's credo. He described himself as a "comprehensive anticipatory design scientist," setting forth to solve the escalating challenges that faced humanity before they became insurmountable.
Catch a glimpse of Buckminster Fuller: Starting with the Universe in this collection of archival footage.

Incomplete Manifesto for Growth

Allow events to change you. Forget about good. Process is more important than outcome. Love your experiments (as you would an ugly child). Go deep. Capture accidents. Study. Drift. Begin anywhere. Everyone is a leader. Harvest ideas. Keep moving. Slow down. Don’t be cool. Ask stupid questions. Collaborate. ____________________. Stay up late. Work the metaphor. Be careful to take risks. Repeat yourself. Make your own tools. Stand on someone’s shoulders. Avoid software. Don’t clean your desk. Don’t enter awards competitions. Read only left-hand pages. Make new words. Think with your mind. Organization = Liberty. Don’t borrow money. Listen carefully. Take field trips. Make mistakes faster. Imitate. Scat. Break it, stretch it, bend it, crush it, crack it, fold it. Explore the other edge. Coffee breaks, cab rides, green rooms. Avoid fields. Laugh. Remember. Power to the people.
WRITTEN IN 1999, THE INCOMPLETE MANIFESTO IS AN ARTICULATION OF STATEMENTS EXEMPLIFYING BRUCE MAU'S BELIEFS, STRATEGIES AND MOTIVATIONS. COLLECTIVELY, THEY ARE HOW HIS COMPANY APPROACHES EVERY PROJECT. DETAILS > BRUCE MAU DESIGN

IDEA = Escape

Banned in America for almost thirty years because of its explicit sexual content, The Tropic of Capricorn by Henry Miller is now considered a cornerstone of modern literature. Together, Tropic of Cancer and Tropic of Capricorn are a lasting testament to one of the greatest American writers of the twentieth century and his contribution not only to literature but also to the cause of free speech.
Commemorate the 70th anniversary of the 1938 publication of Tropic of Capricorn by revelling in an interview with Henry Miller: The Art of Fiction: Paris Review, Issue 28.

The Fire is Alight

Agency: Jung Von Matt / Elbe Client: Konzerthaus Dortmund Director: Niko Tziopanos via Sehsucht for English translation: Sechsucht > News > June

Waldemeyer 2

Joyrider is a revolutionary accessory that transforms a bicycle into a moving light show using just one LED. The design evokes new rave couture, with its iconic smiley face and the strobe effect, bringing kitsch glamour to the cycling experience. The two sterling silver, Swarovski studded components are attached to the spokes of the wheel, emitting a fixed image of a smiley face using a single LED light. This effect is achieved through inbuilt microchips that are able to calculate the speed of the wheel in such a way that the smiley face remains stationary while the wheel spins. The photographed bicycle is custom designed by Waldemeyer.

Waldemeyer 1

WALDEMEYER REVOLUTIONISES THE WORLD OF LIGHTING FOR THE MP3 GENERATION
Twilight, the latest project by Waldemeyer, will be exhibited in the entrance of the new Zune space in Los Angeles, from May 2008. Commissioned by Microsoft’s entertainment brand Zune, the interactive chandelier illuminates the exclusive Zune-to-Zune sharing function that sets Zune apart from the rest by enabling users to share their music with the chandelier itself. The room has been specifically designed as a haven for Zune users to make full use of Zune's social functions that allows spontaneous sharing of full-length sample tracks, playlists or pictures with other Zune users. The Twilight chandelier brings this function to an exciting new level: the Zune users in the room can send a song to the chandelier and watch as thousands of integrated lights react to the music, sending waves of light up and down the internal space in time to the beat. The installation is constructed of 15 sheets of organza fabric suspended from the ceiling to form a 3m by 3m cube. LEDs have been stitched into the fabric, creating illuminated silhouettes within each square to comprise an internal shape that evokes a conventional lamp-stand or natural tulip-esque form. The striking layering is best appreciated at daylight, when the fabric’s ephemeral qualities are exploited. As the eye moves up the chandelier, the lights appear to dissolve into mist as another layer of fabric masks each LED silhouette. The effect is of gazing into a fog, bringing a hint of Dickensian London to the blue skies of LA. At night, the installation transforms into a dazzling lightshow, with subtle interplay between LED and fabric as the light traces its weave.

La guerra es nuestra

LA GUERRA ES NUESTRA - THE WAR IS OURS
Annamarie Ho + Inmi Lee
The piece, an intervention shown earlier this year via Madrid Abierto, was a large sign with the statement "La guerra es nuestra" spelled out in black, back-lit lettering and attached to the façade of the Círculo de Bellas Artes. “The sign utilizes a format that is most often seen on storefronts - the viewer may initially overlook the sign, as we are often indifferent to new information and media that is constantly being introduced to us, but a second glance may procure a different reaction. Moreover, the placement of such a sign on a well-known cultural building leads to a juxtaposition of the political onto the beautiful and the historical.
The initial reference in the statement "La guerra es nuestra" is, of course, the war in Iraq. But the statement is also open-ended; the "war" or the "guerra" can refer to anything that incites concern in the viewer. In Madrid, this might be the activities of the Basque group Euskadi Ta Askatasuna (ETA) or the need for more affordable housing within the city. The goal of the artists is to show that everyone is a voluntary participant in the political. Indifference is a statement, as much as waging a war or being involved in political activism.”
Image: Annamarie Ho

Laurie Anderson live in Vancouver!

International Arts Initiatives & Vancouver New Music in association with grunt gallery will present HOMELAND conceived and performed by Laurie Anderson at The Centre in Vancouver for Performing Art on 18 October 2008. For priority seating: info@mundomundo.com

Laurie Anderson's HOMELAND is a series of songs and stories that create a poetic and political portrait of contemporary American culture. Conceived as one long piece of music, the stories and songs that make up HOMELAND are marked by a political urgency. They address the current climate of fear, obsession with information and security. The music, built on a foundation of groove electronics and featuring many new melodic forms with which Laurie has been experimenting, is truly revelatory. They are also - as with all of her work - personal and utterly unique.

"Laurie Anderson is a singer-songwriter of crushing poignancy - a minimalist painter of melancholy moods who addresses universal themes in the vernacular of the commonplace. - "Rolling Stone

http://www.laurieanderson.com

http://www.myspace.com/officialaurieanderson

Lost Art of Conversation

LOST ART OF CONVERSATION Performed by Laurie Anderson and Band with special guest Lou Reed at Joe’s Pub, NYC on 18 March 2007. The song is part of her current tour, Homeland.

New Fonil [collective] member:

Condensed Matter

Amarie Bergman CONDENSED MATTER #1 newspaper, cotton 5.25cm diameter 2008

The first experiment by Amarie Bergman combining Condensed Matter with String Theory was completed on 24 June 2008. Components include a page of stock listings from The Vancouver Sun, dated 22 June 2008, and a single cotton string. No gravity was involved.

Whippy

Whippy is a playful, suspended light designed by English company, Mixko. It puts the swirl of the energy efficient twirling light bulb into context: Mmmmm......

The Perfect Lie

Amarie Bergman THE PERFECT LIE #4 digital image 2007

Amarie Bergman, a conceptual artist and designer, professes little interest in the game of golf, yet she has some profound insights about it. On our walks past a nearby course, she usually listens to me rave on about the game then goes off to work in her studio, producing a graphic design that expresses golf in its most minimal form. One of the things we’ve talked about is the placement of a shot so near to the hole that it creates a sense of anticipation. Perhaps the golfer has chipped to the green and the ball rolls to the cup and stops just short. The golfer nudges the ball in for a birdie, par or bogey -- each level creating a different level of anxiety, frustration, excitement and euphoria. “I can see a golfer pausing for a second or two reflecting on their playing prowess,” says Amarie. “He visualizes the ball disappearing and probably the acclaim from his fellow players. Indeed, the sheer perfection of the ball’s poise is revelling Zen." She quotes a passage by Gaston Bachelard from The Poetics of Space: “… images of full roundness help us to collect ourselves.” This describes, she says, a moment in metaphor when a white sphere, like a golf ball, is associated with a brilliant idea anointed with a pristine quality. Somehow the seeming inevitability about the ball’s placement and the hole is worthy of a moment of reflection. Why? “Because alongside the idea is the black, seemingly flat, pure void of unfilled potential. And, Amarie adds via Philippe Diolét, “By changing space, by leaving the space of one’s usual sensibilities, one enters into communication with a space that is psychically innovating.”

-- MichaelS

Museu Farol de St. Marta

Museu Farol de St. Marta – Cascais, Portugal Architect: Aires Mateus Photographer: Fernando Guerro.
99 more images of the museum by Guerro viewable via Últimos Reportagens, the most comprehensive online image library of contemporary Portuguese architecture

Krijn de Koning

‘Abbaye de Corbigny’ (yellow), Corbigny (FR) site-specific work by Krijn de Koning
in ‘le grand escalier’ 5.84 x 4.80 x 3.60m.

Spark

the Cheaper Show

The Cheaper Show returns once again. On June 21st, 2008, the eighth installment of The Cheaper Show series will take place in the Gastown district of Vancouver, BC. The concept of The Cheaper Show is very simple: 150 multi-disciplined international artists presenting 300 pieces of art, each priced at $200 for one night only. Here is the list of artists for The Cheaper Show No.8: Abbas Akhavan. Adam Blasberg. Adam Dodd. Adam Fryatt. Aigin Larki. Alana Paterson. Aleah Dunfield. Andre Pinces. Andrea Tucker. Andrew Pommier. Andrew Tong. Andy Chung. Andy Dixon. Angela Fama. Arleigh Wood. Attila Richard Lukacs. Ayma Letang. Basco Five. Ben Frey. Ben Tour. Biliana Velkova. Bob Kronbauer. Bob Scott. Breadman. Brenndan Laird. Brian Garson. Britta Fluevog. Byron Barrett. Chad Krowchuk. Chad Woodley. Char Hoyt. Charlotte Falk. Chelsea Pas. Chris Allen. Chris Vena. Christian Nicolay. Christopher Fadden. Clinton McDougall. Curtis Santiago. Daniel J. Biddle. Danny Vermette. Dasha Novak. Dave Barnes. Dave Spicer. David Lang. Davida Kidd. Derek von Essen. Douglas Haddow. Dr. Steven Hope. Ed Spence. Ehren Salazar. Eric Cairns. Erica Larson. Evaan Kheraj. Fiona Garden. Geoff McCann. Graeme. Heather Passmore. Heidi Gerhardt. Heidi Greenwood. Heidi Iro. Helen Yagi. Ian Buchko. Ignacio Coral. Jack Dylan. Jared Penner. Jeff Boyes. Jeff Lee. Jeff Otto O'Brien. Jeff Petry. Jeremy Crowle. Jesse Savath. Jessica Eaton. Jody Rogac. Joseph Holmes-Peters. Joel Fraser. Joel James Loewen. Johnny Taylor. Jonathan Syme. Jordan Todd. Kathy Lo. Katsumi Kimoto. Ken Diamond. Kevin House. Kris Krug. Kyle Good. Lee Hutzulak. Leigh Righton. Les Ramsey. Lesley Anderson. Lincoln Clarkes. Lindsay's Diet. Lisa Birke. Lissa Veinot. Marianne Chenard. Mark "Atomos" Pilon. Mark Anderson. Mark DeLong. Mary Porter. Matt Leaf. Matthew Morgan. Meghan Paterson. Michelle Ford. Milan Basic. Mikala Grante. Mo Salemy. Murray Siple. Nancy Berglund. Nokin. Office Supplies Incorporated. Pamela Rounis. Paul Nickless. Peter Taylor. Project Rainbow. Randy Grskovic. Rebecca Chaperon. Renee Renee. Rick Marr. Rob Harrison. Robert Mearns. Ronan Boyle. Roselina Hung. Samera Gibson. Sara Bøgh Jansen. Sarah Murray. Sascha Yamashita. Sean Coggins. Sean Maxey. Sean Orr. Shawn O'Keefe. Sol Sallee. Stephan Thompson. Syx Langeman. Taralee Guild. The Dark. The Rainbow Collective. The Wax Museum. The Woodpile Collective. Thomas Anfield. Thomas Berlin. Tim Barnard. Tiziana La Melia. TJ Schneider. Todd M Duym. Tony Dubroy. Wayne Webb. Weakhand. Wendy Dyk. Zoe M Peled. Zoe Pawlak. ALL ART SELLS FOR $200 ADMISSION IS FREE ONE NIGHT ONLY! Saturday, June 21, 2008 7pm–Midnight 142 Waterstreet (old Storyeum building) Vancouver BC

Stardust

LILIANE LIJN Riflemaker
London 15 April – 5 July 2008 For the first time in history, stardust, particles of comets and burned out stars have been brought to our planet from beyond Mars. An exhibition by American artist Liliane Lijn acts as a metaphor for this groundbreaking NASA mission: it presents interstellar dust as cosmic ruins. Lijn's exploration of Aerogel - her creation of heavenly fragments consisting of whole and fragmented forms made from a silicon-based, untouchable and ephemeral substance used by the NASA Stardust Project as the collector of interstellar dust - will be exhibited in Stardust, a glowing large-scale installation at Riflemaker.
- London Architecture Diary

Breathless

BILIANA VELKOVA Jeffrey Boone Gallery Vancouver 29 May – 22 June 2008 The launch of Breathless, a perfume that exists in brand only, extends the artist’s research into consumerist notions of identity and the accompanying obsession with labels. In Velkova’s practice, marketing strategies and art-making practices coalesce to illuminate the phenomenon of co-branding celebrity identity and luxury consumer products. Launching a non-existent product with an unknown persona, devoid of famous trademarks, she poses questions of the artist as brand so as to blur the lines of art, commodity, and social identity. Employing marketing strategies reminiscent of ad campaigns that use popular icons to create brand, the exhibition consists of packaging, a promotional video and the use of the gallery space as consumerist venue to attract attention and material curiosity. In the absence of an actual product, only a celebrity mirage will exist. - Jeffrey Boone

Symphony in Red

Konzerthaus Dortmund, Dortmund Philharmonic Concert Hall, promoted its 2006/07 season with Symphony in Red, a study in typography in swirling movements of red liquid: Musik Im Blut (Music In The Blood).

 

Symphony in Red was developed at Jung von Matt, Hamburg, by executive creative director Wolf Heumann; creative directors/art directors Sascha Hanke, Timm Hanebeck; copywriters Michael Okun, Moritz Grub; agency producers Alexander Schillinsky, Hermann Krug. Filming and animation were directed by Niko Tziopanos via Sehsucht GmbH with cinematographers Bea Wellenbrock, Alex Heyer, Valentin Heun; producers Andreas Coutsoumbelis, Martin Woelke; animators Alex Heyer, Martin Hess. Music was provided by composer and pianist Fazil Say. Symphony in Red has won silver (for animation) and gold (for graphic design) at the International ANDY Awards, 2008.

Phone Sex Workers: Phillip Toledano photos

from a Photo Editor.

Drinking at openings

The owner of a high-end East Hampton gallery went from hosting a famed photographer's opening to being dragged from it kicking and screaming during a surprise crackdown on liquor-laced art shows on the East End. "The police out here have nothing to do, so they come bother our galleries," Ruth Kalb, 67, fumed yesterday, a day after cops busted her soiree and dragged her out in front of 300 stunned guests, saying she didn't have permits to serve alcohol or hold a gathering. "They came in here with all their muscles. They needed someone to fight," said the eccentric art purveyor, known by her gallery's name, Vered. Kalb said she told the cops: "I've been serving liquor at my openings before you were born. So don't tell me to stop now." Kalb was slapped with the summons at around 9 p.m. Saturday after chasing away the first two cops on the scene.
from Edward Winkleman's blog.

Meir Gal

from Meir Gal.

unusual business cards

These probably cost more than $20 for 500. Re-encoded has a whole slew of unusual "outside-the-box" concepts.

buttons!

Who can resist? Not even Smashing Magazine:

NY Photo Festival: the Future of Contemporary Photography

powerHouse Books and VII Photo Agency have joined forces to launch the new, annual New York Photo Festival, the first international-level festival of photography to be based in the U.S. The inaugural New York Photo Festival (May 14–May 18, 2008) promises to deliver a dynamic, high-quality event in what is arguably the photographic capital of the world. The festival will celebrate both contemporary photography and the creative, inspirational talents of the people who produce this work. Curators include Magnum photographer Martin Parr, The New York Times Magazine picture editor Kathy Ryan, Lesley A. Martin of the Aperture Foundation, and Tim Barber of tinyvices.com.

May 14—18 37 Main Street Brooklyn, New York New York Photo Festival

Spencer is in Thailand.

Fonil [collective] member, Spencer Hickson, is in Thailand. Check out his photos here http://s221.photobucket.com/albums/dd309/desyfer831/

Dress code in downtown clubs.

I was reading in the Asian Pacific Post (Designer Profiling) that downtown nightclubs are banning entry to guest wearing Affliction and Ed Hardy clothing as they are labels associated with Asian gangs. Typically they are t-shirts with the fairly standard imagery that appeals to young men and older men that are trying to be young men or otherwise unable to dress their age. (That is to say they are not aware of having reached an age where they simply look like they are wearing clothing a generation below them. The same kind of men that wear baseball hats backwards. You know.) The paper polled 7 men between the ages of 20 and 25, some knew of the labels and owned some, some knew of the labels but didn't own any and some had never heard of the labels. All of them thought that it wasn't right for bars to ban people for wearing them. Personally, based on bouncers experiences that they have had trouble with a lot of people wearing these labels, I don't see a problem with it. Dress codes have always, more or less, been in effect and although the justification and explanation of them might sometimes be vague they are at the bars discretion. In these instances it is clearly not a matter of discriminating against slobs, cowboys, goths or other aesthetic fringe elements but concerns for safety in the bar. In fact bars likely stand to lose patrons and could potentially incur backlash for rejecting certain people. Clearly I don't really care one way or the other. I don't go to these bars. I avoid downtown as much as possible and especially on weekend nights. I think the 'Granville Entertainment District' was a huge blunder and is a disgrace. As for Asian gangs –or any other– let them have at each other. It's easier and less expensive than having the police try to crack down on them all the time. As for the labels: they are derivative and uninspired. The sort of thing that should only appeal to teenagers and only until they get laid for the first time. Bars are doing these young men a favour. Besides, what's wrong with Fred Perry? Yuri.